The Remotes, a new sci-fi film by John Torres, premiered at the New York Film Festival. Its central conceit is a mysterious app that seems to control drivers' bodies, forcing them to crash. That premise serves as the engine for a story that is less about the mechanics of the app and more about what it does to the people caught up in it.
According to a review in New Scientist, the film is "uneasily brilliant" and "challenging but worth it." The reviewer notes that the movie deliberately avoids easy explanations, instead letting the strange premise unfold in a way that feels uncomfortable and thought-provoking. The collision of grief and technology is the emotional core, with the app acting as a kind of external force that mirrors internal loss.
Because there is only one source for this piece, there are no differing viewpoints to compare. The review stands alone in its assessment, praising the film's ambition while acknowledging that it is not an easy watch. For viewers open to a demanding sci-fi experience, The Remotes appears to offer a distinctive blend of emotional weight and{